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Oberheim OB-Xa

Truly one of the quintessential analog polyphonic synths of the early 80s.  I love my collection of VST synths, but when I bring up the faders on this guy, even untrained ears notice the difference between software and hardware!  No other synth I own has a low-end like the OB-Xa (except possibly the Simmons SDSV!).   

Even without chorus the OB-Xa has remarkably warm pad sounds, but it’s not capable of the clean subtlety of a synth like my Jupiter-8.  This is a simple, ‘big rock’ synth, and you know the sound from those classic 80s recordings by Van Halen and Queen, Tom Petty & The Heartbreakers, and of course, Rush.  In unison mode it has a dangerous low-end, and mid-range pads that can actually take up too much of a mix.  It takes a lot of compression and limiting to get this synth under control.  You actually have to compress it twice, like a bass guitar – once on tracking and again in mix-down.  It’s that random quality behind the hefty sound, and the ‘buttery’ filters that put this synth at the top of my list.

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Here are some original recordings I made of my late-model OB-Xa.  The compressed format doesn't provide the full bandwidth, but it will give you an idea of the of the basic sonic quality of this legendary synth:  


Oberheim OB-Xa
Oberheim OB-Xa (1981)
OB-Xa 'Cellos'
OB-Xa Warm String Pad
OB-Xa Keyboard Split
OB-Xa Reverse Sweep and Lead
OB-Xa Cross-Mod Lead
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